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This entire film was made in Proxima Art.

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You can do it right from your phone.

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Over the next 25 minutes,
I'll show you exactly how,

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from the first character
to the final scene.

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Welcome to Proxima Art. Today,

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I'll show you how to work with
characters and the storyboard.

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We'll create a few character
images and visuals for our film,

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Sleeping Sands of Kharuun.

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We have a wide variety
of AI models available,

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but I'll be using Qwen 2.1 for this film.

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Feel free to choose
whichever model you prefer.

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Let's create a first draft
of our main character.

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A beautiful blonde warrior
from the planet Kharuun.

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Let's add a few LoRAs.

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Think of them as small add-on models that
bring capabilities the base model doesn't

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have on its own.

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Let's generate and see what we get.

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And here she is. Our
first warrior of Kharuun.

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Now let's create a second
heroine using the same settings.

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Meet another daughter of Kharuun.

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Next, the creature our warrior will ride.

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We only need it as a reference for now.

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One last piece, the
world of Kharuun itself.

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We'll use it as a visual
in the storyboard.

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Next, we'll show our
character in different poses.

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For that, we choose Character Asset Pack.

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Let's start with the story idea.

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It's optional, but it helps the
model see the bigger picture.

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For our first heroine,

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something like this. A beautiful 25-year-old
blonde warrior with European features.

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She wears practical nomadic clothing
and carries an ornate dagger and a large

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translucent crystal sword.

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Next, we need a reference image.

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You can upload one or pick
it from your library.

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Our images are already there,
so let's use the library.

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One image is enough.

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We'll keep the rest of these
settings at their defaults.

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GPT Image 2 is usually the best choice.

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If it gets blocked by
censorship, if you need NSFW,

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or if you just want to play
with styles, go with Qwen 2.1.

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We'll use 4:3, but other formats work too.

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And here is the screen set
of our first character.

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Now let's turn this screen
set into a character.

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This is our first character, so the
form for a new one opens right away.

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Always give it a name,
preferably a short one.

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We'll use it as a tag in the storyboard.

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Notes are optional. They're just for you.

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Congratulations!

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Iraya is our very first character!

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Next, let's create a companion for Iraya.

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This will be our second character.

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A beautiful 25-year-old black
warrior woman with deep, brown skin.

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She holds a long diamond crystal spear
with a sharp, black obsidian tip.

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First, let's remove
the previous reference.

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Otherwise, it would distort the
screen set for our new character.

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Again, we pick her image from the library.

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For this character, we'll
stick with GPT Image 2 as well.

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Now let's turn her into a character too.

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This time we choose Create New Character,
so this screen set isn't linked to Iraya.

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We'll call her Ashara.

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Ashara is ready! Next
step, the storyboard.

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Let's give our project a fitting name.

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Sleeping Sands of Kharuun.

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There are two ways to build a storyboard.

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Panels or single sheet.

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We recommend panels. You get more control,
and your video can be much longer.

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Our story is short, so
six panels are enough.

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For longer videos, go with 9 or even 16.

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Here you describe what you want to see,
in a few words and in any language.

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But first, let's get everything ready.

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In characters, pick the
heroes you created earlier.

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We'll take Iraya and Ashara.

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Visual references are extra elements.

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Creatures, worlds, places.

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Let's add our two-headed
beast and the desert world.

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Give each visual a short description.

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It gets inserted automatically
wherever the tag is used.

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This model generates
the storyboard images.

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We'll keep Qwen 2.1.

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Qwen has two modes,

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Light and Creator.

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Both look great.

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Light is a bit cheaper,

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15 credits per image, so we'll keep it.

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Just like with the
characters, we add a LoRA.

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One is enough here. GPT style.

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Below are the shared style, applied to
every panel, and the panels themselves.

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We'll leave them empty.

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The built-in AI enhancer
will fill them in for us.

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Now let's write a short story.

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Enhance Storyboard will polish
it, translate it into English,

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and split the scenes across the panels.

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Let's click Enhance Storyboard.

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Done! The shared style is filled in,
and every panel has its own prompt.

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The enhancer sometimes
adds too many styles.

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For this video, it's better to remove
things like painterly, illustration,

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or consistent character designs.

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Otherwise, they can distort the images.

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Let's take a closer look at a panel.

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The preview shows the panel's
image, and later, it's video scene.

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The padlock locks the panel, so a result
you like won't get redrawn by accident.

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Draw creates the image for this panel.

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The number is the price, 15 credits.

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These are the tags you can use.

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Click one, and it's inserted right
where your cursor is in the prompt.

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There's no need to describe
your heroes or visuals again.

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You've already done that.

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Each tag brings its description and
reference image into the final generation

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automatically. And here
is the prompt itself,

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already written for us by the AI enhancer.

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The little arrow in the
corner opens it full screen.

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Here it's much easier to
read and edit your prompt.

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In the field below, you can ask
the AI to improve something.

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It sees the whole context, the
prompt, and what every tag stands for.

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The prompt is already fine,

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but let's ask for more detail
and a clear camera angle,

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so all our heroes are easy
to see. Now click Craft.

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Much better.

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Done saves the changes. By the way,

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the same request field sits right under
every panel if you don't need the full

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screen. This slider sets the panel length.

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It matters mostly for video.

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Let's make it eight seconds.

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Now let's generate our first panel.

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The panel is queued, then rendering.

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We'll skip the wait.

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Our first panel is ready!

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Now you know how to generate
the main images of your story.

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Not happy with this version?

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Just change the prompt and draw again.

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Then arrows appear here, and you can
switch between up to six versions.

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Now let's draw the second panel.

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The prompt here looks
good, if a little short.

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Let's try it as it is.

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Hmm, not quite what we wanted.

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There's an extra person,
the beast is missing,

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and the mountain turned into crystals.

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First, let's try without the LoRA.

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A style LoRA adds its own look, and
sometimes the model does better on its own.

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Back to our second panel.

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This time, we'll tell the
AI exactly what we want.

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So, Iraya rides her beast,
and Ashara walks beside her,

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both seen from behind,

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small in the frame, in front
of a giant sand mountain,

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and no crystals. Now, Craft,

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done, and redraw.

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That looks much better,

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and the first version isn't lost.

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With these arrows, you can
switch between versions.

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Let's go back to the new one.

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Now, onto the third panel.

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In the third panel, Iraya has dismounted.

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This time, let's skip the AI helper
and write the prompt ourselves.

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First, we clear the old text.

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We want a low shot from behind
and slightly to the side,

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with a truly colossal mountain.

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For our heroes and the beast,
we simply click their tags.

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Let's give them their weapons too.

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No style words needed. The shared style
is added to every panel automatically.

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Done, and draw.

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Now, the next panel, the same way.

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The mountain bursts open.

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It has to look truly gigantic,
with our heroes tiny at its foot.

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Done, and draw.

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Let's see both of them full screen.

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Exactly the scale we wanted.

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Now, the big reveal.

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The mountain is actually a giant sandworm.

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This time, we'll use the small
request field right under the panel.

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We just described the change.

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The mountain becomes the worm's head.

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Same colors, with fangs and tentacles,
and the same framing as before.

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The little star button is the
same Craft as in the big editor.

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Let's open the prompt and
check what the AI wrote.

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Done, and draw.

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Let's compare it with the previous panel.

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The mountain was a sandworm all along.

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Only one panel is left.

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The button at the bottom even
tells us, generate one panel first,

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then we can compose the board.

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The last panel is a close-up of
Iraya's face, full of terror.

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The prompt is already good,
so we'll keep it. Draw.

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All six panels are ready,
and the button is active now.

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Let's compose the board.

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Here is our finished storyboard.

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Our whole story on one sheet.

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Now, for the most exciting part,
turning our storyboard into a film.

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The whole storyboard, our characters and
visuals, go into every scene as references.

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First, let's lock every panel, so none
of our images get redrawn by accident.

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Below the panels are the video settings.

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They appear as soon as the
storyboard is composed.

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Enhance Video Prompts works
like Enhance Storyboard.

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It writes video prompts
for all panels at once,

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but we recommend crafting
each panel separately.

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You get much more control.

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LoRAs here are special effects
and styles for your video scenes.

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Fine detail at 200 adds
a little more detail,

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and feature film camera language at 50
for a more cinematic camera. Quality.

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We go straight to 2K for the best
result, and a widescreen 16:9 format.

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Every change here is applied almost
instantly, within a second or two.

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Back to our first panel.

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See this new camera button?

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It switches the panel to video mode.

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Our scene needs a bit more
time, so let's set 12 seconds.

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And again, the arrow opens
the prompt full screen.

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For video, Craft is a must.

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Our video model Minimax needs
the prompt in its own format.

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Scene description, shots, timing,

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subjects and sound. Here's our goal.

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The camera moves in on Iraya's
face, then on Ashara's.

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Then it pulls back and circles around
them until it follows them from behind.

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Iraya stays on the beast the whole
time, and Ashara walks beside her.

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In the field below, a short
instruction is enough.

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Now, Craft.

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And here is the full Minimax structure.

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A summary,

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the shots with timing, and the soundscape.

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Done, and generate video.

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A 2K video takes a while to render.

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We'll skip the wait.

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Not bad at all for our first scene.

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If a scene doesn't work for you,
Regenerate makes a new version.

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Chain so far plays every scene up to
this point, joined into one film.

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Right now, there's just one scene.

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When you like the video,
confirm it with the tick.

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This step matters. The next
scene grows out of this one.

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Its last moments become
the starting point.

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So the next scene can't be generated
until this one is confirmed.

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Now panel A2.

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The camera button switches it to video.

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This scene picks up right
where the first one ends.

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Iraya and Ashara keep riding
toward the giant sand mountain,

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and the camera follows them.

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Let's write that down, using our tags.

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Now, Craft.

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A quick check.

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Both heroes, the beast, the mountain,
and the camera following them.

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Looks good. Done, and generate video.

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00:16:49,410 --> 00:16:52,030
But let me increase the time
interval to 10 seconds.

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That turned out unusual. A world where
the landscape itself keeps changing.

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Let's keep this version
and move on to panel A3.

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For panel A3,

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we can leave the main motion prompt empty
and describe what we want in the field

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below. The camera moves as Iraya gets
off the beast and draws her sword,

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00:17:29,820 --> 00:17:33,460
ending in the pose shown in
the image. Now click Craft.

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00:17:33,860 --> 00:17:37,830
We can do all of this right here,
without opening the larger editor.

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00:17:37,880 --> 00:17:39,580
Let's set eight seconds.

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00:17:39,880 --> 00:17:42,900
Some of that time is used
for the joining frames,

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00:17:43,200 --> 00:17:45,800
so the resulting video
will be slightly shorter.

250
00:17:45,920 --> 00:17:49,540
Click generate, skip the wait,
and let's watch the result.

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00:18:02,960 --> 00:18:04,480
This scene turned out well.

252
00:18:04,780 --> 00:18:08,620
It captures exactly what we see
in panel A3 of the storyboard.

253
00:18:08,940 --> 00:18:10,060
Let's keep it.

254
00:18:10,440 --> 00:18:13,380
Now let's see how these
three scenes look together.

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00:18:13,680 --> 00:18:15,420
click Chain so far.

256
00:18:49,360 --> 00:18:51,080
That turned out really well.

257
00:18:56,440 --> 00:18:59,140
Next, let's bring panel B1 to life.

258
00:18:59,380 --> 00:19:02,520
We'll continue directly from
the end of the previous scene,

259
00:19:02,620 --> 00:19:06,700
then pull the camera back to reveal the
enormous scale of this living mountain.

260
00:19:07,880 --> 00:19:11,960
The camera pulls back as a colossal
mountain of sand rises before them.

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00:19:12,240 --> 00:19:16,300
Iraya, Ashara, and the beast
should look tiny beside it.

262
00:19:16,380 --> 00:19:21,120
Sand pours down its slopes, and a vast,
dark opening begins to form inside.

263
00:19:21,560 --> 00:19:23,400
We're only hinting at the mouth here.

264
00:19:23,700 --> 00:19:25,750
The full reveal comes in panel B2.

265
00:19:25,800 --> 00:19:30,540
In the refinement field, we'll focus on
camera movement and special effects.

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00:19:30,980 --> 00:19:33,600
Then click Craft to refine the prompt.

267
00:19:35,570 --> 00:19:37,870
Let's set the duration to 10 seconds.

268
00:19:37,970 --> 00:19:41,790
Now let's generate the scene and see
how that sense of scale comes through.

269
00:19:58,490 --> 00:20:02,670
That looks spectacular, but the
characters have lost their weapons.

270
00:20:03,190 --> 00:20:07,970
Let's make their actions and the continuity
with the previous scene more explicit,

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00:20:08,130 --> 00:20:11,820
then regenerate. Iraya should
still be holding her drawn sword,

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00:20:11,870 --> 00:20:13,930
and Ashara her spear.

273
00:20:14,370 --> 00:20:18,530
They take a few cautious steps back
without turning away from the mountain.

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00:20:19,010 --> 00:20:22,990
We'll also specify that this
continues directly from the end of A3.

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00:20:23,150 --> 00:20:26,960
Let's apply those changes with Craft,
keep the duration at 10 seconds,

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00:20:27,010 --> 00:20:28,590
and click Regenerate.

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00:20:48,780 --> 00:20:52,190
Much better. The transition
from A3 is smooth now,

278
00:20:52,240 --> 00:20:54,380
and Iraya and Ashara keep their weapons.

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00:20:54,540 --> 00:20:58,720
I approve this version, so I'll click
the checkmark to confirm the scene.

280
00:21:01,560 --> 00:21:05,600
B1 is confirmed, so now we
can move on to panel B2.

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00:21:07,360 --> 00:21:10,260
Let's continue directly from
the end of the previous scene,

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00:21:10,380 --> 00:21:13,220
keeping Iraya's sword and Ashara's spear.

283
00:21:14,340 --> 00:21:16,420
The mountain begins to transform.

284
00:21:16,700 --> 00:21:20,530
Its central cavity opens into
an enormous maw with long,

285
00:21:20,580 --> 00:21:24,760
fang-like teeth around its entire rim,
just like in the reference image.

286
00:21:25,180 --> 00:21:27,080
Tentacles emerge from the opening.

287
00:21:27,200 --> 00:21:31,350
Then the mountain collapses completely
in a cascading avalanche of sand.

288
00:21:31,400 --> 00:21:34,000
Revealing a gigantic worm,

289
00:21:34,640 --> 00:21:37,660
it rises even higher than
the mountain's former summit.

290
00:21:38,380 --> 00:21:40,700
We keep the same characters, weapons,

291
00:21:41,100 --> 00:21:43,000
lighting, and continuous shot.

292
00:21:43,080 --> 00:21:46,780
In the lower field, let's add
transformation and visual effects.

293
00:21:46,960 --> 00:21:50,200
Now click Craft to refine
the prompt before generating.

294
00:21:52,740 --> 00:21:57,560
Let's set the duration to the maximum,
15 seconds, and click Generate.

295
00:21:57,980 --> 00:22:00,180
As usual, we'll skip the wait.

296
00:22:03,200 --> 00:22:05,400
Let's watch the result in full screen.

297
00:22:23,750 --> 00:22:25,370
This version looks great.

298
00:22:25,510 --> 00:22:27,210
Let's keep it and move on.

299
00:22:42,460 --> 00:22:44,000
We have one panel left.

300
00:22:44,520 --> 00:22:48,790
This time, we'll leave the main prompt
empty and use only the instruction field

301
00:22:48,840 --> 00:22:51,940
below. Let's ask the camera
to pull back slightly,

302
00:22:52,000 --> 00:22:57,060
revealing Iraya from head to toe, ready
for battle, with her sword still in hand.

303
00:23:01,180 --> 00:23:05,700
That should be enough. The panel's image
description already provides the scene context.

304
00:23:06,160 --> 00:23:10,520
Now let's click Craft to turn this short
instruction into a complete video prompt.

305
00:23:12,090 --> 00:23:16,210
Let's set the duration to 10
seconds, and click Generate.

306
00:23:27,190 --> 00:23:29,330
Let's watch the result in full screen.

307
00:23:47,560 --> 00:23:49,060
Not quite what we wanted.

308
00:23:49,340 --> 00:23:51,820
The giant worm is still
visible behind her.

309
00:23:51,980 --> 00:23:55,560
She's holding the sword with both
hands, and the pose isn't right.

310
00:23:55,880 --> 00:23:58,180
The fine details could be stronger too.

311
00:23:58,480 --> 00:23:59,880
Let's try another version.

312
00:24:00,340 --> 00:24:02,580
First, we'll increase the detail LoRA.

313
00:24:04,510 --> 00:24:06,910
Let's set fine detail to 310%.

314
00:24:12,180 --> 00:24:14,230
This time, let's try a different prompt.

315
00:24:14,280 --> 00:24:18,110
We'll place Iraya in the center
of a violent sand vortex,

316
00:24:18,160 --> 00:24:20,620
with the background
completely hidden by dust.

317
00:24:21,160 --> 00:24:23,060
She holds her sword in one hand.

318
00:24:23,400 --> 00:24:28,340
By the end, the fear on her face gives
way to a defiant smirk, ready for battle.

319
00:24:30,890 --> 00:24:35,130
Now let's click Craft, then done,
and generate another version.

320
00:24:38,930 --> 00:24:40,750
Let's take a look in full screen.

321
00:24:53,600 --> 00:24:57,890
Much better! The pose is right, the
background is hidden by the swirling sand,

322
00:24:57,940 --> 00:24:59,740
and there's much more fine detail.

323
00:24:59,900 --> 00:25:01,180
Let's keep this version.

324
00:25:05,380 --> 00:25:07,440
Now let's watch the whole sequence.

325
00:25:07,820 --> 00:25:09,520
Click chain, so far.

326
00:26:08,150 --> 00:26:10,290
That turned into a great little film.

327
00:26:11,390 --> 00:26:15,480
Just imagine what you could create
with 16 panels, more characters,

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00:26:15,530 --> 00:26:17,010
and more visual references.

329
00:26:17,430 --> 00:26:19,790
There's so much room to
tell a bigger story.

330
00:26:35,570 --> 00:26:38,470
Now let's download our
finished film in 2K.

331
00:26:49,560 --> 00:26:53,540
And that's it! From our first
idea to a finished film.

332
00:26:54,220 --> 00:26:56,240
Start small, experiment,

333
00:26:56,540 --> 00:27:00,360
and refine each scene until it
tells the story you imagined.

334
00:27:00,740 --> 00:27:01,780
Now it's your turn.

335
00:27:02,160 --> 00:27:04,140
Bring your story to life with Proxima Art.